![]() ![]() The deliberate lack of perspective in Persian miniature enabled the artist to have different plots and sub-plots within the same image space. Persian miniatures provide great examples of such continued attempts. It is even possible to see the progenitor of the cinema close-up: a wounded wild pig escaping from the hunting ground, among these works of art.Īfter the conversion from Zoroastrianism to Islam Persian art continued its visual practices. Similar works from the period have been found to articulate movements and actions in a highly sophisticated manner. A bas-relief from this period in Taq Bostan (western Iran) depicts a complex hunting scene. Iranian visual arts may be said to have peaked about a thousand years later during the Sassanian reign. Persepolis was the ritual center of the ancient kingdom of Achaemenids and "the figures at Persepolis remain bound by the rules of grammar and syntax of visual language." Bas relief is a method of sculpting which entails carving or etching away the surface of a flat piece of stone or metal. The earliest examples of visual representations in Iranian history may be traced back to the bas-reliefs in Persepolis (c. ![]()
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